Postcards to Ma
(2021-Present)
There Was Only Ever One Way Out is an ongoing series by Asheville-based fine art photographer Adam Chapin, made entirely from the front seat of a car — through the windshield and side windows, in motion, on roads, domestic and international. The result is a body of work that moves fluidly between the sharp and the impressionistic, between document and elegy.
What began as a travel journal evolved into something more urgent. When Chapin’s mother was lost to dementia, the road became the space where grief had nowhere to go but forward. Every blurred horizon, every soft-focus stretch of highway, carries the weight of a drive that never happened. Is it a memoir of a last ride never taken, or is it a posthumous experience shared in the ethos of art? Chapin sees it as both.
The series asks what photography can hold when sharpness is beside the point. When holding onto things is futile, and the blur is the only truth.